Search Results

Audition Application Apply Now Be You Productions is excited to announce our 2023 production of Lucky Stiff to be staged in August at the MC Showroom. Link to a Plain Text Version of this brief. ​ We are now seeking TEN cast members for a paid opportunity through ethical profit share . Lucky Stiff is the heartwarming tale of a man, a corpse, and a whole lot of money. Harry Witherspoon, a down-on-his-luck shoe salesman, inherits a fortune from his dead uncle, but there's a catch: he has to drag the old man's embalmed body to Monte Carlo for one last hurrah. Along the way, Harry finds love, adventure, and the true meaning of family (even if it's with a deceased relative). With hilarious songs, outrageous plot twists, and a cast of unforgettable characters, Lucky Stiff reminds us that even the weirdest situations can lead to unexpected beauty. So come for the laughs, stay for the heartwarming message, and don't forget your danci ng shoes! ​ OUR VISION This show is quirky and fun, with poignant moments - we want to work with people who can lean into the contrasting aspects of the show, whilst enjoying ourselves. While this show can be very melodramatic and lean into stereotypes, we think with the right amount of sincerity it will not feel fake or cheesy. We want our actors to lean into the truth of their characters, the heightened nature of the story, as after all the truth is funny. Honest discovery, observation, and reaction is better than contrived invention. Real humour does not come from sacrificing the reality of a moment in order to crack a cheap joke, but in finding the joke in the reality of the moment. CASTING PHILOSOPHY At Be You, we hold open auditions, which means each performer will be chosen for their personal abilities. Every role is open to every performer, regardless of traditional ‘fit’ for the role. The rights of the musical prescribe the gender expressions of each character, though this does not limit our imagination as to w ho is able to play each role. If you are passionate about a character but unsure if you fit as an actor, we encourage you to give it a shot! ​ PAYM EN T We use an Ethical Profit Share model to pay our people for their work. For this production profits will be shared equally between all members of the cast and creative team, excluding Bradley, Daniele, John, and Weng Yi, who are volunteers. WHO WE AR E LOOKING FOR People who are not afraid to have fun and experiment in a safe environment People who want to be part of the creation of the show People who display emotional intelligence, authenticity, and a passion for acting. People with an open, playful attitude where storytelling is concerned People who will adhere to our values and be excited to embark on this new adventure in creating sustainable theatre. People who care - we don’t need exceptional singers or dancers, we need passionate actors and storytellers. People who have the ability to work in Australia, and live in Victoria. ​ CASTING NOTES We are proud of our diverse community and want to ensure people feel welcome to be considered for any of the positions available. We will provide support for anyone who needs some extra time and coaching to grow into a role - we’re mostly looking for passionate people. We actively encourage submissions from performers who identify as Indigenous, Black, a Person of Colour (IBPOC), culturally, gender and body diverse and/or those living with disabilities (visible or nonvisible). Any character can be played by performers of any background and we will not exclude anyone from consideration due to a character’s perceived identity. Please contact us if you require any additional support in submitting and/or during the audition process, including but not limited to more time, information, guidance, alternative formats or anything you are unsure about. We believe this process should be accessible and are happy to be called in at any time to help you - email casting@beyouinc.org ​ SUBMISSION PROCESS We’re accepting video submissions for the first round and with our open audition policy everyone who applies will be seen. Character descriptions are available in the audition form, though we will simply ask if you're interested in a featured or ensemble role, or both. Please prepare a video with the following: A slate with your name, pronouns, location, and why you’re applying. Two 60 second cuts of songs of your choosing which show your range as an actor. Storytelling to the front, and we are not fussed if these songs are your favourites from previous auditions - there is no need to try and replicate something you’ve already done. Self-tape tips are included at the bottom of this brief. In our submission form we will also ask you to provide your: CV, and Headshot ​ We encourage you to submit your initial audition earlier than the deadline, because we will be reviewing submissions as they are received. You may receive your first call back instructions earlier if you submit your video to us sooner. Apply Now Important Dates ​ Auditions: SUBMISSIONS CLOSE: 22 April 2023 CALLBACK 1 (Virtual): by 6 May 2023 CALLBACK 2 (Group/Ensemble): 13 May 2023 CALLBACK 3 (Solo): 20 May 2023 ​ Rehearsal Workshops: Evening of 7 & Arvo of 11 June Rehearsals: Mon (evening), Wed (evening), Sun (1-5pm) 9 July - 20 August Season: 21 - 27 August 2023 ​ If these dates are impacted by lockdowns or restrictions, we will reschedule for a later date, with our finalised cast having the first right of refusal for future dates. Callbacks and auditions will be held in venues that have lift access or do not require stairs. If you require more information about our venues please contact us and we will get back to you. ​ We don’t believe in asking people to attend more auditions than required. This means that if we know you’re a right fit after Callback 2, we may not ask you to attend Callback 3 unless it’s necessary to test more mater ial with you. Regardless of the outcome, you will always hear back from us. ​ CALLBACK INFO ​ After the initial video submission, our first call back will also be presented via video within a week of submissions closing. In this second submission we’ll ask you to present material from the show with the freedom to submit multiple takes and multiple interpretations of songs and scenes. Materials for the first call back are already available , so you can start preparing for your video call back as soon as possible (and have a little look before you audition if you'd like) ​ FINER DETAILS ​ We will be in contact regardless of the outcome of your audition. For those who are successful in receiving a call back audition, you will be sent an email with all relevant information, including material to prepare for your audition. Please note that you may be photographed and recorded as part of your participation in the audition process for casting purposes. You may be asked to be recorded, either inside or outside the audition room, with such recording to possibly be used for promotional content of the production process including, but not limited to news stories, programming for broadcast and social media. Such recordings will be voluntary without compensation. Anyone who is invited to join our cast will be asked to read and sign acceptance of Be You Group’s code of conduct and other various workplace policies. ABOUT BE YOU PRODUCTIONS Be You Productions is a Melbourne based professional independent theatre company that strives to create sustainable theatre using an ethical profit share model. This production will be our fourth sustainable music theatre show, underpinned by the following principles: Focus on the story Open audition process Transparent budget management Performers includes in decision-making Minimal budget As mentioned above, we will keep expenses low so as to maximise on all profits received and therefore shared, to compensate for the work put in by the whole team, excluding volunteers. Our ethos of being honest, open, and ethical in all we do will inform our approach to all things. You can read about our principles here . CONFLICT OF INTEREST POLICY Be You Productions operates under the Be You Group’s Casting Conflict of Interest policy . We’re proud of this policy as it provides for equitable casting and underpins our Open Audition Process principle, and we believe it makes us a leader in Best Practice for our industry. ​ SELF TAPE TI PS Shoot the scenes at mid-shot to close-up (just below the shoulders to three inches above the top of the head) Please ensure good sound levels so we can hear your voice clearly with limited background noise. Reduce visual distractions - filming against a blank wall is most ideal Please send through via Vimeo or Youtube link Edit songs together and upload submission as a single file. ​ ​ ​ OUR PRODUCTION TEAM: Alysha Jane (they/she) Associate Director Daniele Buatti (he/him) Music Director Enya Cai (she/her) Associate Director Weng Yi Wong (she/her) Production Manager Bradley Dylan (he/they) Director John Mondelo (he/him) Producer

Brand Consulation Are you looking for personalised feedback and guidance on your brand as an artist? Do you need help marketing yourself to agents? Are you a freelancer that needs to get your branding together? Maybe you want further support with your personal marketing, regardless of representation? If so, we’d love to support you in answering these questions. ​ We’re in the business of breaking down barriers to entering into the music theatre industry. We believe everyone should have access to audition briefs, and are now providing a low cost bespoke service to work to bring out the best in you, and support you in reflecting this in your personal branding. In our sessions, you will receive personalised feedback, guidance, and coaching on how to best showcase who you are as an artist and how to stand out from the crowd. We’re here for you the next time you submit for an audition, contact an agency, or simply have many questions on your next steps in your performing arts career. ​ As advocates for a more inclusive and empowering industry, we believe that every performer has a unique story to tell. Whether you are just starting out or looking to take your career to the next level, we're passionate about helping you uncover that story and bring it to life through your personal brand. Let's work together to create a brand that not only showcases your talent, but also reflects your values and aspirations, and helps you stand out in a crowded and competitive market. How it works ​ Attend a free 15 minute initial consultation session where we discuss your needs and outline a personalised plan that will help build your brand. We will discuss how we will work in subsequent sessions and set a plan for when these will be and what work we will undertake for you in the interim, and come to an agreement on a consultation costing that works for you and your budget. We believe this should be an accessible service so please let us know what support you would like from us in your email or in your initial session. ​ Contact us using the form linked below and we will be in touch to organise a Free Initial Session Contact Us Here Looking for Specific Feedback on your Self-Tapes and Showreels? ​ ​B rand You Now Offers this Service ​ Find Out More

Be New Be You Ed Broadway Unplugged Productions Underground Be You Group Producer's Note More Acknowledgement of Country We would like to begin by acknowledging that we are meeting on the stolen lands of the Wurundjeri People of the Kulin Nation and paying our respects to the Traditional Custodians of the land on which we are gathered today. We would like to pay our respects to their Elders, past, present and emerging, and acknowledge all Aboriginal and Torres Strait Islanders and recognise their continuing connection to land, waters and culture. ​ We want to acknowledge how lucky and honoured we are to be able to share this land and continue the tradition of storytelling. THE CAST Gemma Caruana (she/her) Kathleen Amarant (she/her) Noah Janssen (he/they) Obed Wallis (he/him) THE TEAM Sarah Francham (she/her) Director of Acting ​ Sol Summers (he/him) Director of Music Georgina Charteris (she/her) Director of Movement Brendan Jelley (he/him) Resident Choreographer Weng Yi Wong (she/her) Production Manager Bradley Dylan (he/they) Artistic Director Daniele Buatti (he/him) Holistic Director ACKNOWLEDGMENTS AND THANKS The Be You Inc. Board Miao at the The MC Showroom St Catharine’s Anglican Church Graphic design by Daniele Buatti SONG LIST Untitled Opening Number Two Nobodies in New York An Original Musical Monkeys and Playbills The Tony Award Song Part of It All I Am Playing Me What Kind of Girl Is She? Die, Vampire, Die! Filling Out the Form Montage Part 1: September Song Montage Part 2: Secondary Characters Montage Part 3: Development Medley Change It, Don’t Change It/Awkward Photo Shoot A Way Back to Then Nine People’s Favorite Thing Finale Gemma (she/her) is a creative artist of proud Maltese heritage. Growing up in Adelaide, Gemma followed in her family’s footsteps by learning the clarinet at the age of six. ​ Training in classical singing, she discovered the world of music theatre in her tweens. She first found her love for cabaret in the Class of Cabaret program during the 2017 Adelaide Cabaret Festival, directed by Eddie Perfect and Ali McGregor. ​ At 18 Gemma kissed the Malls Balls goodbye to begin her formal training at Federation University Arts Academy in Ballarat, where she earned a Bachelor of Music Theatre. Here she stepped into the shoes of some incredible characters including Maggie Holmes in Working, Donna Wright in Shane Warne the Musical, and Diana Morales in A Chorus Line. During her time at Uni Gemma thrived in the collaborative environment, honing her cabaret and creation skills. She used her time in lockdown write cabarets and work with her peers on upcoming projects. ​ [Title of Show] is Gemma’s debut performance in Melbourne and she feels immensely lucky to bring Susan to life on stage. Gemma would like to thank her high school drama teachers, her partner, and Julie Andrews. Before the little old Global Pandemic, Kathleen (she/her) returned from the US where she performed in numerous shows including Carol in a one-night-only Production of Split: At Home in New York. She toured the role of Annette in Saturday Night Fever the Musical and was Lead Arial Vocalist in the Cirque De Soleil inspired In the Air twice for Broadway at Sea (RCI). ​ Other Australian stage credits include Bad Idea Bear in Avenue Q (Trifle Theatre), Miss Gardner in Carrie: The Musical (Ghost Light/Moving Light), Marcia Brady in A Very Brady Cabaret (StageArt), Barbie: Anything is Possible (Lifelike Touring) and The Songs of Ahrens and Flaherty (Flourish Productions). She’s also played Columbia in Rocky Horror Tribute Show, Frenchy in Grease Lightinin’ and Elphaba (of Wicked) in The Broadway Tribute Show (Event Theatre International). ​ Kathleen started her journey as an enthusiastic pre-teen appearing on your TV box, in numerous TV shows such as Chris Lille’s Mr G, Neighbours, Blue Heelers and various TVC’s. When she thinks back to that time, starting out, wide eyed and full of absolute joy - after the year that has been, she hopes we all find ‘A Way Back to Then’ whatever that may mean for you. Before spending most of the last two years waking up at midday on a steady diet of Easy Mac and misery, Noah (he/they) studied at the Victorian College of the Arts for a Bachelor of Fine Arts (Music Theatre). ​ Whilst at the VCA, they appeared as Ozzie in On The Town, as a featured soloist in Morning Melodies in 2018 and 2019, and in the ensemble of Flora, The Red Menace. He was also the proud winner of the Songs in Isolation Singing Competition in 2020, judged by Michael Feinstein. ​ Noah’s love of art began with the screen, and as well as making their screen debut this year in the role of Seth Okaine on Neighbours, they also enjoy developing and directing their own short horror films. ​ Noah is thrilled to be telling this story that celebrates the brave (and frequently illogical) choice to commit (AND recommit, AND recommit) to a life in the arts; it is a choice of self love and self respect against a world that wants to deny your authenticity at every turn. Noah dedicates this performance to all the dreamers and theatre dorks who choose to be LOUD. Obed (he/him) first found his passion for performance in the tried and true fashion; Playing a humble student in a schools production of ‘Les Miserables’. ​ With eyes set on one day being worthy of Jean Valjean or donning the alluring half mask of the Phantom, he trained in the Music Theatre Studio and a Bachelor of Musical Theatre at the Victorian College of the Arts and took up every available opportunity; Ensemble members in ‘Morning Melodies’ and ‘On the Town’, Choir Master/Callum in ‘Our House’ and Reverend Crisparkle/Piano 2 in ‘The Mystery of Edwin Drood’. ​ Finally out in the industry in the wild party that was 2021, Obed was gratefully dancing through life in pieces such as Random Acts’ ‘Billie and the Outback Dinosaurs’ and continued training through Action Drama Studio’s ‘Advanced Screen Acting’ course, ‘The Cate’. Through Obed’s artistic journey however, he’s come to discover the value of his work lies not in the glory of the musical ‘giants’ (“I wish!”) but in the immense power of storytelling to heal, encourage and inspire. Obed hopes that through [Title of Show], you will be reconnected with the true source of joy, inspiration, encouragement and hope. To Him be the glory... After completing her Bachelor of Music Theatre at Federation University in 2019, Sarah (she/her) has gone on to work broadly in Melbourne’s theatre scene, taking part in workshops, script readings, and touring nationally with children’s theatre company Alpha Shows in The Little Mermaid. As well as this, Sarah also co-hosted the monthly revue Mixed Bag at Club Voltaire where she featured artists and her own original songs and writing, collaborated on with Sol Summers. Sol and Sarah have also collaborated on multiple cabarets such as Chaos the Cabaret and A Manic Pixie Dream Cabaret. Sarah’s directing credits include The Dam, The Silent War and more recently was assistant director on the new Australian musical Voyagers. ​ Sarah is passionate about the development of Australian voices and talent and is thrilled to be working with the team on [Title of Show]. Sol (he/him) is a Melbourne-based music director and performer. Studying a bachelor of music theatre at Federation University in Ballarat, Sol became acutely interested in music, acting as music director and accompanist for Reasons, a fundraiser in his third year. Since then, Sol has continued working with Federation University, as assistant music director on Exquisite Corpse, with the graduating class of 2021. Sol’s passion is to make music more accessible for performers of all types, and to share his love of music through collaboration. Brendan (he/him) is a Casting & Communications professional, and passionate performer with experience in many areas of the industry. His performance journey includes music theatre productions, dancing around the world on cruise ships, as well as working with contemporary and commercial dance companies. ​ A proud member of the Be You Inc Operations team he strives for an industry of empowered performers and creatives and aims to promote a more diverse inclusive industry in his roles as Casting Director and Head of Communications. ​ As an advocate for supportive environments in what can be a tough industry, Brendan always strives to challenge stigma, create opportunities and share insight through experience. With an interest in also supporting the journeys of performers as an agent, Brendan has joined the team at Helen Pandos Management. ​ After casting [title of show] earlier this year, Brendan was more than happy to jump on as resident choreographer when Director of Movement Georgina moved interstate. Born into a family of classical musicians, Georgina stumbled over her own two feet into dance classes and then ran away with the circus in her teens. ​ Completing her Advanced Diploma in Music Theatre at Principal Academy (Perth) and her Certificate at WAAPA. Georgina moved to Melbourne in 2013 and while working as a professional dancer, she studied Meisner in 2016 and continued her dance training at Spectrum Dance in 2017. ​ Professionally Georgina has danced internationally, and alongside Sheppard The Band & Tom Burlinson. ​ Theatre credits; Swing/Dance Captain in Voldemort and the Teenage Hogwarts Musical Parody (Salty Theatre), ensemble/understudy in Nine The Musical (StageArt), Bombalurina in CATS (ICW Productions), ensemble in Cinderella Pantomime (Zealous Productions), ensemble in Bootlegged Musical (Red Bennies), and she was a Semi Finalist for the Rob Guest Endowment 2018. ​ As a creative, Georgina has written, directed, and choreographed short musical revues for her students, and choreographed for corporate entertainment. She is excited to share her choreography for Title of Show. ​ She’d also like to thank her agency Central Melbourne Talent for their support. Weng Yi (she/her) brings to the musical theatre industry a diverse background and skillset. She is a law graduate, literature major, former editor, and experienced paralegal, having worked across several different practice areas with further qualifications and expertise in intellectual property law. Another hat (or rather, helmet) she wears is as an equestrian, competing predominantly in the sport of dressage. Balancing the demands of this lifestyle has enabled her to develop strengths in organisation, management, and creative problem solving, which have been tremendous assets to her role of overseeing the various elements of this production. ​ Coming from a classical music background, Weng Yi also has solo, orchestral and string ensemble experience, and is interested in exploring different ways of creating and telling stories through the medium of music and theatre. Weng Yi is thrilled to be managing [title of show] and contributing to another one of Be You Inc’s projects. A passionate musician, music director, and storyteller, Daniele (he/him) loves nothing more than exploring how music can be used to effect an audience and support the sharing of stories. He brings a wealth of experience through his knowledge of music, his love of story, and his desire to make genuine connections with people. As the founder and CEO of Be You Inc, Bradley (he/they) is the artistic voice and vision behind its projects. Bradley has a passion for storytelling, a holistic approach to sociology and social systems, and degrees in business, management, and applied psychology. ​ With extensive experience running production companies and performing arts studios since 2004, Bradley has a unique perspective on the future of theatre, and uses applied psychological and cross-industry approaches to lift theatre up to a higher ethical standard. He believes that storytelling is what brings people together through building empathy and understanding, and dreams of a world where everyone’s stories, no matter their background, are heard and validated. ​ Bradley is an accredited coach, a member of the Diversity Council Australia, the Institute of Executive Coaching and Leadership, and is currently studying a Master of Social and Organisational Leadership with a specialisation in organisational coaching. “I’D RATHER BE NINE PEOPLE’S FAVOURITE THING THAN A HUNDRED PEOPLE’S NINTH FAVOURITE THING”

The Be You Operations Team Bradley Dylan (he/they) Chief Executive Officer (CEO) As the founder of Be You, Bradley is the artistic voice and vision behind all of its projects. His passion for leadership, holistic approach to sociology and social systems, and degrees in business, management, and applied psychology, coupled with extensive experience in running production companies and performing arts studios since 2004, gives him a unique perspective on the future of theatre, and how best to use applied psychological approaches for the betterment of everyone involved. Bradley is an accredited Coach, a member of the Diversity Council Australia, the Institute of Executive Coaching and Leadership, and is currently studying a Master of Social and Organisational Leadership. He is the Producer of Broadway Unplugged and Artistic Director of Be You Productions. Brendan Jelley (he/him) Casting and Communications Director Brendan is an Agent, Casting Director, and Communications Specialist with a background as a performer. His experience working on all sides of the casting process, has given him a unique perspective & expertise in supporting actors careers and assisting to develop their personal brand. A proud member of the Be You Operations team he strives for an industry of empowered performers, creatives and companies. He aims to promote a more balanced & inclusive industry in his roles as Casting and Communications Director. As an advocate for supportive environments in what can be a tough industry, Brendan always strives to challenge stigma, create opportunities, and share insight through experience. Daniele Buatti (he/him) Head of Broadway Unplugged & Graphic Design A passionate musician, music director, and storyteller, Daniele loves nothing more than exploring how music can be used to effect an audience and support the sharing of stories. He brings a wealth of experience to the team through his knowledge of music, his love of story, and his desire to make genuine connections with people. Lily Walker (she/her) Previous Communications Manager Lily is a Naarm/Melbourne based performer, with a passion for social media and communications. Lily attained her Diploma of Musical Theatre from APO Arts Academy in 2019, with additional formal dance training at Dance World Studios. After performing in Broadway Plugged-In: Up & Coming in 2020, Lily wanted to be a part of the amazing work Be You does for the performing industry and joined their communications team in 2021. Lily also does social media management for landscape photographer (and her Dad!) Glenn Walker – check him out at @glennslens.au on Instagram.

Daniele Buatti (he/him) Creative and Music Director A passionate musician, music director, and storyteller, Daniele loves nothing more than exploring how music can be used to effect an audience and support the sharing of stories. He brings a wealth of experience to the board through his knowledge of music, his love of story, and his desire to make genuine connections with people. Weng Yi Wong (she/her) Production Manager Weng Yi is passionate about many things. Alongside her interests in dressage, literature, and intellectual property law, Weng Yi is passionate about musical theatre and celebrating the talent and heart of our performers in the Australian musical theatre industry. Weng Yi brings to Broadway Unplugged and Be You Inc a diverse skillset. Her strengths in organisation, management, and creative problem solving have been developed throughout her time working in various industries, including the media and entertainment industry, equine industry, and the legal profession. Coming from a classical music background, Weng Yi also has solo, orchestral and string ensemble experience, and is interested in exploring different ways of creating and telling stories through the medium of music and theatre. Weng Yi is thrilled to be managing the Broadway Unplugged productions and furthering Be You Inc's commitment to empowering performers and creating equitable opportunities in the musical theatre industry. John Mondelo (he/him) Associate Music Director John is a singer, actor and food lover originally from Perth. He is a recent graduate of the inaugural cohort of the Bachelor of Music Theatre at the Elder Conservatorium (ECMT) and has previously completed a BA in Classical Voice at the University of Western Australia, the Certificate course at WAAPA in Musical Theatre, and the Music Theatre Intensive at the Stella Adler Studio NYC. John’s performance credits include Georg in Spring Awakening (ECMT, dir. George Torbay), Cabaret (ECMT, dir. Erin James), Mamma Mia (ECMT, dir. Zoe Komazec) choir for the national tour of Chess (StoreyBoard Entertainment, dir. Tyran Parke), Thuy in Miss Saigon (Stray Cats Theatre, dir. Karen Francis) and his self devised show Bite Size Cab. John is a co-founder, performer and executive producer of the new theatrical collective, EXEUNT (Pursued By A Bear) Productions, which has most recently performed Rodgers & Hammerstein's: A Grand Night for Singing at the 2022 Adelaide Fringe. John is also a budding Music Director, having professionally Music Directed the premiere of Miss Westralia (Perth Fringe, dir. Kylie Maree) and worked as Assistant MD on Cabaret and Mamma Mia. Rebecca O'Dowd (she/her) Associate Music Director Rebecca completed her Bachelor’s degree in Acting for Stage and Screen from Federation University Australia’s Arts Academy in 2019 where she starred in shows such as The Comedy of Errors (dir. James Pratt), and A Woman of No Importance (dir. Kirsten Von Bibra). Whilst studying she also involved herself musically by composing or music directing these productions in collaboration with her peers and directors. Since graduating, Rebecca moved to Melbourne where she has performed most notably in Verity Norbury’s After Oscar (dir. Norbury Productions) debuting the role of Lady Marigold Reginald, and Rogue Warrior Entertainment’s Danny & Max (dir. Cayde Joy) as Louise. Before COVID cancelled them, Rebecca was Assistant Musical Director on UMMTA’s The Addams Family, Keyboard 1 on Waverley Christian College’s Seussical, and Keyboard 1 on Loreto College Ballarat’s Matilda. Rebecca is an accomplished musician after studying piano for over 10 years now, and often combines her experience in music and acting when taking on creative endeavours. Jay Brendan Del Rosario (he/him) Assistant Music Director Jay is an experienced pianist and ensemble leader, with a particular love for video game and film music. Having been elected as Student Conductor, School Pianist, and Captain of Music in high school, he has begun studying classical piano performance at the Melbourne Conservatorium of Music. He has been involved in the productions of Rodgers and Hammerstein's Cinderella, We Will Rock You, and Chicago, and was invited to join the Westgate Concert Band to perform Holst's The Planets in the Melbourne Planetarium. While still studying performance, Jay is also pursuing pathways in interactive composition, collaborating with computer science students in producing video games and podcasts. He is also a proud member of the highly successful, influential, and revolutionary UniMelb jazz group, Leg Ham. Jessica Ciccarelli (she/her) Director of First Impressions Jessica Ciccarelli is delighted to be joining the team at Be You Inc. Having such an enjoyable experience this year and last - as a backing vocalist, Jessica has welcomed the opportunity to extend her involvement in the company as a new member of the Communications Team. Jessica has completed a Bachelor of Arts in Music Performance, at The Australian College of The Arts, where she found her love for Music Theatre. Since then, Jessica has continued to develop her performance skills in numerous ways, by completing the Music Theatre Studio Program with VCA, attending private vocal coaching at David Butler Studio and private acting lessons at Coach Me Lauren. She has developed a love for learning and is always looking to see how she can continue to grow. Jessica has been proud to have performed in roles such as Little Red (Into The Woods) and Natalie (Next To Normal). She has also been featured in productions of Rock of Ages, Heathers the Musical and Hairspray to name a few. Jessica’s love for performing has always been a part of who she is. The connections she makes in the industry, whether it be on stage and now off, is what makes her most happy. She is thankful for the opportunities that Be You Inc. have created, so that she can share that love with the world. Brendan Jelley (he/him) Casting and Comms Director Brendan is an Agent, Casting Director, and Communications Specialist with a background as a performer. His experience working on all sides of the casting process, has given him a unique perspective & expertise in supporting actors careers and assisting to develop their personal brand. A proud member of the Be You Operations team he strives for an industry of empowered performers, creatives and companies. He aims to promote a more balanced & inclusive industry in his roles as Casting and Communications Director. As an advocate for supportive environments in what can be a tough industry, Brendan always strives to challenge stigma, create opportunities, and share insight through experience. Bradley Dylan (he/they) Producer As the founder and CEO of Be You Inc, Bradley is the artistic voice and vision behind all of its projects. His passion for leadership, holistic approach to sociology and social systems, and degrees in business, management, and applied psychology, coupled with extensive experience in running production companies and performing arts studios since 2004, gives him a unique perspective on the future of theatre, and how best to use applied psychological approaches for the betterment of everyone involved. Bradley is an accredited Coach, is a member of the Diversity Council Australia and the Institute of Executive Coaching and Leadership, and is currently studying a Master of Social and Organisational Leadership. He is the Artistic Director of Be You Productions. Daniele Buatti (he/him) Creative and Music Director Read More Weng Yi Wong (she/her) Production Manager Read More

Our Volunteers and Personnel We're all about transparency. Be You Group is a charity that works for the betterment of our community, and therefore we mostly work as volunteers. The charity solely raises money from Broadway Unplugged ticket sales. Below you will find a run down of every project and the pay structure for each person. Unpaid The Board and Operations Team are all volunteers. Bradley Dylan as CEO is barred from earning money from any Be You Group initiative as long as he serves as CEO. Paid Brendan Jelley receives a stipend for his Communications work, which is entirely dependant on earnings from Brand You. Unpaid Daniele Buatti, Bradley Dylan, Weng Yi Wong, and Brendan Jelley are all volunteers. All Resident Artists are volunteers. All artists at Toff shows are volunteers. Paid Our host and our two band members are paid based on profits. All featured artists are paid by Aus Shakespeare for our February show. The board offers to pay Daniele, yet has declined for multiple years. Unpaid Maybe This Time: all facilitators are volunteers Grants: all panel members are volunteers Paid If we were to engage someone to come and teach who would require money, we would consider paying a small stipend. Unpaid Bradley Dylan and Daniele Buatti are volunteers. The Producer board representative is not paid for their work. If we have anyone shadowing our team they will volunteer to learn. Paid All production team members and actors are part of a profit share agreement covered under our Ethical Profit Share arrangement. Unpaid Our Gossip Girl volunteers their time to ensure Be You Underground is updated with new briefs. Paid Brand You raises money, and Brendan Jelley is paid a percentage of the funds raised as a thank you for his work as Communications Director. Unpaid Harry Tibballs, Laura de Iongh, and team members are volunteers. Paid Our Performers in Residence receive a small stipend for their time and energy bringing the new works to life.

Buy Tickets Ordinary Days Program Be You Productions is excited to present out 2022 production of Ordinary Days at the MC Showroom. ​ This show is about connection; four individual people struggling to connect. It's made up of pieces that, like its characters, reveal themselves to be part of a much bigger story than we might have first imagined. Our version of the show is double cast, with every performance presented showcasing a different combination of people - no two performances will be the same, and each actor will have a buddy to work on character development. Be You Group is proud of our diverse community and want to ensure that people feel welcome and empowered in equal measure. Belonging and Balance are at the forefront of all that we do. As such, our casting process reflects our commitment as an organisation to ensure we are creating an inclusive environment with balanced representation. ​ Be You Productions works under an Ethical Profit Share model . The Directors for Ordinary Days! Director: Bradley Dylan (he/they) Music Director: Daniele Buatti (he/him) Assistant Director & Movement Director: Bronya Doyle (she/her) Associate Music Director: John Mondelo (he/him) Associate Director: Lana Davey (they/them) Technical Director: Oliver Ross (he/him) Overseeing this fabulous team is our wonderful Producer Nabs Adnan (he/him) Words hold power, so we’ve appointed multiple directors who will collaborate over each discipline to support our show and our cast to place storytelling at the centre of Ordinary Days. We believe a democratic model where everyone’s voices are heard and everyone is included in decision making creates the most dynamic shows and embraces diverse experiences and contributions.

< Back Bradley Dylan Producer ceo@beyouinc.org As the founder and CEO of Be You Inc, Bradley is the artistic voice and vision behind all of its projects. His passion for leadership, holistic approach to sociology and social systems, and degrees in business, management, and applied psychology, coupled with extensive experience in running production companies and performing arts studios since 2004, gives him a unique perspective on the future of theatre, and how best to use applied psychological approaches for the betterment of everyone involved. Bradley is an accredited Coach, is a member of the Diversity Council Australia and the Institute of Executive Coaching and Leadership, and is currently studying a Master of Social and Organisational Leadership. He is also the Artistic Director of Be You Productions.

Tell us what you think! Do you have suggestions for us? Feedback? Something you'd like to see us undertake? Could we do better? ​ As a charity, we're here to serve our community, and are open to all ways we can improve to serve you better - so please, reach out and let us know using the form below. ​ Share your thoughts! Submit Thank you for your suggestion!

Be You Inc is running another cabaret competition, though this time we’re trying something a little different. Our “Cabaret Entree” is an opportunity for audiences to sample many different cabarets before deciding which will be further developed. It will consist of five finalists performing thirteen minute snippets of their proposed work to an audience including professional judges, who will decide on which finalist will be given the opportunity to have their cabaret idea produced by Be You Inc. The competition will take place in December 2019. ​ How is the winner chosen? ​ The winner will be chosen by a mixture of audience vote, professional feedback, and feedback from the Be You Inc team on how the finalist navigated the whole process. They will receive a fully workshopped and produced cabaret that will be performed during the Melbourne Cabaret Festival in 2020. ​ ​ ​ ​

Our Program Donate Our first show! Tickets are now on sale ​ ​ Buy Tickets here Sustainable Theatre Blog Click here to read our blog Another Production Company? Our point of difference is our priority: creating and supporting sustainable theatre. ​ We're staging productions and sharing everything we experience and learn with you. Open Auditions Storytelling Minimal Budget Open Auditions 1/5 And most of all we will be honest, open, and ethical in all we do. ​ How will we share our info? We'll run a blog during the production to keep you informed of our learnings, what we liked, how we could improve, and ask for feedback from you as to how we may have done things differently. ​ At the end of this first project, we will take our blog and publish a Production Manual which you may take and use to stage your own productions using our methodologies and learning from our mistakes.

Get Involved We realise how difficult it can be to get your foot in the door to the professional industry, no matter how hard you try. As Broadway Unplugged is run by Be You Group - a charity that wishes to support the wider music theatre industry, we want to offer a few spots each month to up-and-coming aspiring professionals to join us on stage. Submit your Expression of Interest If you or someone you know would be interested in this opportunity, please fill out and send this form to us. We will get back to you if we have a spot for you and are inspired by your story. Use this opportunity to sell your passion to us! Talk yourself up! Please note that this form does not guarantee a spot in our show, but will provide a pool of performers on which to draw from. We wish to choose those who we believe could benefit the most from the opportunity at the time, and whose stories we would like to share. This list will be purged every four months to ensure we're seeing new applications, so please feel free to submit multiple times a year. Inclusion in our lineup is voluntary, as Broadway Unplugged's profits go towards Be You Group's charitable purposes.