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I've learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel . - Maya Angelou ABOUT US Be You is a charity focussed around education and empowerment in the music theatre space. The sole purpose of the organisation is to make ourselves obsolete by creating universal standards that work towards a music theatre industry that is inclusive, representative of the diversity of our context, and centres these diverse stories as the core of music theatre. We believe the narrative is key to the story and our emotional connection, not the presentation. We empower and inspire performers, challenge industry norms, and provide opportunities to artists from all backgrounds. Their core purpose is to create a more inclusive and supportive musical theatre community where diversity is celebrated, and every individual has the chance to shine. Key to this, we are focused around addressing the inequities of the music theatre industry through the redistribution of power, disruption of unchallenged norms, and actively holding space for marginalised and emerging performers. At the heart of what we do are our values: Be Balanced, and You Belong. We use best practices from across industries to help create a more robust music theatre space and set standards for teamwork and professionalism in an otherwise unregulated industry. Be You runs educational workshops and courses to empower young performers with technical and non-technical skills, fosters new works and creates spaces for performers by putting on full-scale professional productions. OUR VALUES We want an independent music theatre industry where: Every single person feels confident pursuing their goals Companies are open and transparent about their processes Power is available to everyone, and not just directors and production teams An ethical profit share model is used to benefit everyone working on a show We seek to create meaningful and lasting change for a fairer, more sustainable system. We strive to create a space for authentic and empowered storytelling, where diversity across all dimensions is not only embraced but actively celebrated. Be You strives to create a space where you can Be Balanced where You Belong. Balance and Belonging are at the heart of all that we do; through this lens we aim to create systems and processes to ensure greater equilibrium is found. We’re a company that foregrounds collaboration between diverse people, and through these efforts foster their ability to create, lead, and engage in all that we do ​ Be Balanced Balance to us is when everyone feels they not only have a seat at the table but have an equal opportunity and power. ​ People We will seek to follow equitable decisions making processes, based on your personal circumstances. We will seek to counteract any inherent bias and aims to remove any barriers to participation. We will strive to always improve, owning fault and seeking ongoing feedback to ensure accountability for our actions. Actions​ We will model transparency; we are honest and open. We will uphold strict conflict of interest policies to ensure casting opportunities are truly open We will be measured and reasoned in our approaches and decisions. ​ ​ You Belo ng Belonging is founded on our sense of community, where you can come as you are and be accepted wholeheartedly for you. ​ People We will seek to empower people to reach their full potential. We will seek to create psychologically safe spaces. We will strive to create a workforce and theatre industry that is reflective of our community, taking steps to ensure all voices are equally heard. Actions ​ We will normalise seeking support, values your time and respect your decisions​ We will act with compassion and understanding. We will be committed to tell stories with diverse perspectives. We believe that more voices create more robust and balanced decisions We value your time and respect your decisions Brendan Jelley (he/him) Casting and Communications Director Brendan is an Agent, Casting Director, and Communications Specialist with a background as a performer. His experience working on all sides of the casting process, has given him a unique perspective & expertise in supporting actors careers and assisting to develop their personal brand. ​ A proud member of the Be You Operations team he strives for an industry of empowered performers, creatives and companies. He aims to promote a more balanced & inclusive industry in his roles as Casting and Communications Director. ​ As an advocate for supportive environments in what can be a tough industry, Brendan always strives to challenge stigma, create opportunities, and share insight through experience. Daniele Buatti (he/him) Head of Broadway Unplugged & Graphic Design A highly skilled Music Director, Arranger, Orchestrator, Pianist, and Voice Coach in Melbourne, Daniele brings a holistic coaching approach to singers. Serving as the Musical and Creative Director of Broadway Unplugged since 2013, he leads a skilled band, crafts captivating arrangements, and delivers exciting concerts six times a year. Daniele's expertise extends to institutions like VCA, AIM, Ministry of Dance, and VCASS, where he serves as Music Director, Répétiteur, Accompanist, Vocal Coach, and Music Theory teacher. With an extensive musical background, Daniele has directed notable productions, including The Musical of Musicals: The Musical (Be You Productions), A Chorus Line (Federation University), A Little Night Music (Watch This), Bring It On (Stage Masters), and The Beautiful Game (Manilla Street Productions). Rebecca Price (she/her) Operations Director Rebecca is a proud descendant of the Tagalaka people of Far North Queensland and was recently an artist of the 2021 Maybe This Time showcase. Recently graduating with her Bachelor of Music (Music Theatre) from AIM, her love of engaging and performing with like-minded creatives to foster healthy work environments and inclusive conversations has her excited to be part of Be You. She served as a board member for three years before moving over to our operations team. Moving forward, her dream for the future of the theatre industry is one where everyone’s voice is heard and inclusivity and empowerment is second nature. The Be You Operations Team Bradley Dylan (he/they) Chief Executive Officer (CEO) As the founder of Be You, Bradley is the artistic voice and vision behind all of its projects. His passion for leadership, holistic approach to sociology and social systems, and degrees in business, management, and applied psychology, coupled with extensive experience in running production companies and performing arts studios since 2004, gives him a unique perspective on the future of theatre, and how best to use applied psychological approaches for the betterment of everyone involved. Bradley is an accredited Coach, a member of the Diversity Council Australia, the Institute of Executive Coaching and Leadership, and has recently completed a Master of Social and Organisational Leadership. He is the Producer of Broadway Unplugged and Artistic Director of Be You Productions. The Be You Board Laura de Iongh (she/her) President Through a lifetime of dance experience that led her to choreographing musicals in London, Laura brings her love of creation and organisation to the board, helping us to tailor our programs to suit wide audiences. As both a performer and creative team member, Laura brings a unique perspective to Be You that helps guide our values, and create safe, supportive theatre experiences. Harry Tibballs (he/him) Secretary / Vice President Our inaugural secretary, Harry brings years of committee and secretariat experience in a range of educational and cultural charities and not-for-profit organisations to our board. His passion for helping others is the driving force behind the board’s productivity, while performing in shows and working as a Doctor. Harry believes in balance, and that everyone involved in staging musicals should be kind, productive and prioritise fun. He created and runs our Be New program. ​ Jacqui Martin (she/her) Treasurer Jacqui Martin is a Melbourne based performer, director and arts creative working across many fields in the industry. As a director, Jacqui has worked in children’s theatre for 11 years producing shows that toured Australia, which she also performed in. In 2023, she directed a new Australian play by Lydia Kuelsen, ‘Burn it.’ Then again for the tour to Adelaide Fringe in 2024. Directing is a passion for Jacqui and she delights in collaborative projects where the work is created with writer, performer and director. As a performer, Jacqui most recently performed in ‘Hamlet’ as Gertrude/Gravedigger/Player 1/Polonius, Helena/Titania/Snug/Egeus/Puck in ‘Midsummer’ (Sheoak Productions), Silvia/Lucetta/Antonia in ‘Two Gents’ (That’s Classic Entertainment) and in ‘Dancing Queen Immersive Dining Experience’ (Viral Ventures). Jacqui also recently returned to study to complete her Cert IV in Music Theatre at Theatre Blacks and is the current Victorian Rep for Australian Stage Combat Association. Jacqui is currently working as Operations Manager at Dancehouse, home for contemporary dance, in Carlton North. She is excited to be joining the Be You Group and their Board as Treasurer. Adele Hirst (she/her) Board Member Adele is passionate about creating inclusive spaces and empowering people to realise their fullest potential. She is a learning & development professional with proven experience in consulting, stakeholder management, learning design, project management, and delivery at regional and country levels. As an avid world explorer, Adele considers herself a lifelong learner with deep curiosity who loves exploring and listening to people's unique stories. She is driven to make a difference for people and society everyday.

< Back Akansha 'AK' Hungenahally she/her Claire Akansha Hungenahally is a singer, actor, activist, and song-writer with a passion for diverse storytelling in Australian musical theatre. Akansha has been singing since age 7, beginning her training in North Indian Classical Singing and adopting Western styles of singing at the age of 12. Having completed her Bachelor of Music Theatre at Federation University’s Arts Academy in 2019, she has since continued to study acting and dance, and earned certification in Mental Health First Aid (MHFA Australia) and Vocal Health First Aid (Vocal Health Education UK). She is proud to have featured in the award-winning musical short film ‘Suddenly’, and the greenroom nominated 2020 video phenomenon ‘I Need You To See Me’ by Vidya Makan, alongside 100 other emerging performers of colour. Akansha has also had the privilege of working amongst a team of all South-Asian actors in the Melbourne International Comedy Festival season of Sri Lankan Fire Team: The Power of Song. When she is not performing, Akansha shares her passion for ethical casting practices, inclusivity and accessibility, and authentic multicultural storytelling by engaging in Equity and Wellbeing work for theatre productions.

CALLBACK SUBMISSIONS CLOSE: WEDNESDAY 6 JULY 2022 AT 10PM. ​ For all of the characters, we’re looking for passion, and want to see how auditionees approach these songs in very different ways. Some are more ambitious, some are more dreamers. We've provided some background as to how we see each character, so feel free to lean in to these descriptions. Deb: What we’re looking for is for them to be unapologetic and willing to take up space. They’re restless and driven, systematic and scattered. Don’t Wanna Be Here: Bar 44 to end Sheet Music - Backing Track Beautiful (Deb): Bars 25 - 58 Sheet Music - Backing Track Dear Professor Thompson Pt.1 (whole song) Sheet Music - Backing Track Warren: We’re looking for an aspirational dreamer who is insecure, scattered and honest. They seek recognition, but are able to find beauty in the everyday elements of life. One by One by One: (whole song) Sheet Music - Backing Track ​ Beautiful (Warren): Bars: 25 - 58 Sheet Music - Backing Track Claire: We’re looking for someone who is protective, warm and organised in the present, and navigating holding onto a past of nostalgia and grief ​ Fine (Claire): Bars 69 - 93 Sheet Music - Backing Track Let Things Go: Bar 78 to end Sheet Music - Backing Track Jason: What we’re looking for is their romantic nature, excitement for the future and dislike of being alone. They wear their heart on their sleeve. Space Between: Bar 48 to end Sheet Music - Backing Track Fine (Jason): Bars 69 - 93 Sheet Music - Backing Track ​

Bradley Dylan (he/they) CEO@beyouinc.org Chief Executive Officer (CEO) - Be You Group Producer - Broadway Unplugged & Be New Artistic Director - Be You Productions Director and Lecturer - Maybe This Time Consulting Advisor - Be You Underground's Brand You My Story Bradley (he/they) is an accredited Coach who provides career guidance and personal brand development for performers, creatives, and business leaders. The founder and CEO of Be You, Bradley has a passion for leadership, holistic approach to sociology and social systems, and degrees in business, management, and applied psychology, along with extensive experience in running production companies, casting processes and performing arts studios. He created and leads the ‘Maybe This Time’ Professional Development Program supporting emerging artists to develop their brand and navigate the industry. He wishes for a world where everyone has access to paid performance opportunities and is working hard to remove barriers. As for his qualifications: Accredited Organisational Coach (Level 3) Master of Social and Organisational Leadership Bachelor of Business majoring in Management Associate Degree in Applied Psychology majoring in Sociology and Counselling Diploma in Accounting (which helps with financial skills!) Brad utilises each of these to bring balance and belonging to theatre, while ensuring an effective people-centred business model and culture. Bradley is a member of the Diversity Council Australia and the Institute of Executive Coaching and Leadership. By day, he works for the Australian Government as a People and Culture Coordinator.

Be You Group runs many programs and projects, all with the charitable purpose of advancing the performing arts, specifically music theatre. About Be You Our Board Our Operations Team ​ Come work with us: Join our team Become a Member of Be You ​ Our Policies: Privacy Policy Casting Policy Be You Policies and Constitution Conflict of Interest Declarations Volunteers Statement Welcome to Be You Group Be You Group is a Melbourne-based organisation dedicated to empowering performers, challenging industry norms, and providing diverse opportunities within the musical theatre community. The organisation operates on the traditional lands of the Wurundjeri People of the Kulin Nation and emphasises respect for their storytelling traditions. ​ Be You Ed focuses on imparting practical and theoretical knowledge across all areas of performance and production. This arm aims to educate and inform the industry, thereby strengthening it as a whole through workshops, concerts, shows, and mentoring. ​ Be You Productions is a professional independent theatre company in Melbourne. It strives to create sustainable theatre through an Ethical Profit Share model, ensuring fair compensation for contributors. Its productions, like "Lucky Stiff," aim to blend entertainment with the development of talents and stories, emphasising open auditions, transparency, and a focus on story over spectacle​​. ​ Be New is dedicated to developing and nurturing new Australian works of music theatre. It provides a platform for artists to develop their work to a stage-ready level through iterative feedback, collaboration with creatives and mentors, and opportunities for table reads and stand-and-sing sessions. The focus here is on the story and journey rather than the immediate staging, offering an intermediate step between concept and a full marketable show​​. ​ Be You Underground offers personal brand development and consultation for performers, with services including personalized brand consultation, self-tape/showreel feedback, and advice on marketing and standing out in the industry. Led by experienced professionals in performance, casting direction, communications, and talent agency work, it aims to empower performers to achieve their full potential​​. Broadway Unplugged serves as Australia's Musical Theatre industry night, offering a supportive environment for performers to showcase their talents. It is produced bi-monthly at The Toff in Town, emphasising inclusivity, support, and fundraising through volunteer efforts, save for the band and host who receive a small stipend. The event provides a platform for both emerging and established artists to perform, connect with the community, and contribute to the development of Melbourne's artistic scene​​. ​ Together, these arms of the Be You Group contribute to a more inclusive, supportive, and diverse musical theatre community in Melbourne, offering various opportunities for performers, writers, and creatives to develop, showcase, and thrive within the industry. Brendan Jelley 8 min To Seek Rep or Self Rep - That is the Question. 231 Bradley Dylan 3 min Ethical Profit Share 486 Bradley Dylan 3 min Make Up Your Mind, and Let Us Know 218 Bradley Dylan 6 min Theatre should rethink Show Fees 450 Kaori Maeda-Judge 3 min Some mental health resources to help you through a hard time 89 Bradley Dylan 5 min Auditions 257 Bradley Dylan 4 min What are the ideal qualities of a director? 1,968 Bradley Dylan 5 min Production teams should emulate the characteristics of Employers of Choice 118

< Back Charlie Boscolo he/they Jason Graduating from Federation University in 2019 with a Bachelor in Music Theatre, Naarm (Melbourne) based actor Charlie Boscolo has continued their training through various workshops and short courses to rekindle their love for acting after two years in lockdown. They have taken part in The Depth: Scene Study at 16th Street Studios (2022) and Be You’s Maybe This Time: An Empowering Showcase (2021). They have also had the privilege to working with Antipodes Theatre in their Winter Labs (2022). With a keen interest in queer Australian Theatre, Charlie is excited to be part of Be You Production’s Ordinary Days.

Brendan Jelley (he/him) brendan@beyouinc.org casting@beyouinc.org underground@beyouinc.org Casting Director - Be You Group Communications Director - Be You Group Creative Director and Lead Consultant - Be You Underground Movement Director - The Musical of Musicals - Be You Productions Resident Choreographer - title of show - Be You Productions My Story Brendan is a Casting and Communications professional as well as passionate performer with experience in many areas of the industry. His performance journey includes Musical Theatre productions, dancing around the world on cruise ships, as well as working with contemporary and commercial dance companies. A proud member of the Be You Operations team he strives for an industry of empowered performers, creatives and companies. He aims to promote a more diverse inclusive industry in his roles as Casting Director and Head of Communications. As an advocate for supportive environments in what can be a tough industry, Brendan always strives to challenge stigma, create opportunities, and share insight through experience. ​ Brendan is an Agent with Random Management .

Daniele Buatti (he/him) daniele@beyouinc.org A passionate musician, music director, and storyteller, Daniele loves nothing more than exploring how music can be used to effect an audience and support the sharing of stories. He brings a wealth of experience to the board through his knowledge of music, his love of story, and his desire to make genuine connections with people. My Story At the heart of creating sound, is a willingness to express. ​ I'm a passionate and caring Music Director based in Melbourne. I am a highly skilled pianist, arranger and work extensively as a voice coach with developing performers. I have a great passion in working with the voice and love to combine my knowledge of yoga to help performers unlock their unique sound. I hold a great passion for helping artists express themselves and take unique and holistic approach to the voice, connecting breath, body and mind to help create an embodied performance. ​ THOUGHT • INTENTION • BREATH • EXPRESSION I believe that expression only happens when the thought arises to express. I wish to help people connect with their body and voice, in order to convey a deeply and truly embodied character. With a therapeutic approach to the voice, each student can expect to not only inform the characters they are portraying, but to also gain a better understanding of their own mannerisms, expressions and thoughts.

Acknowledgement of Country We would like to acknowledge that we create and perform on the stolen lands of the Wurundjeri and Bunurong People of the Kulin Nation. We pay our respects to their Elders, past and present, and acknowledge all Aboriginal and Torres Strait Islanders and their continuing connection to land, waters and culture. We are privileged and honoured to be able to continue the long history of storytelling on this land. About Lucky Stiff Content Warning: Use of Fake Firearms & Partial Nudity We're back!!!! After a hit season in 2023, the team behind Be You Productions' Lucky Stiff is back for the Melbourne International Comedy Festival 2024 and have created a new company called Bold Offer Productions. Our 2024 production is bigger, bolder and bubbling over with joy! Lucky Stiff is the heartwarming tale of a man, a corpse, and a whole lot of money. Harry Witherspoon, a down-on-his-luck shoe salesman, inherits a fortune from his dead uncle, but there's a catch: he has to drag the old man's embalmed body to Monte Carlo for one last hurrah. Along the way, Harry finds love, adventure, and the true meaning of family (even if it's with a deceased relative). Lucky Stiff was first produced Off-Broadway in 1988, with Book and Lyrics by Lynn Ahrens and Music by Stephen Flaherty (also known for their work on Seussical the Musical, Anastasia, Ragtime, and Once on This Island). It is based on "The Man Who Broke The Bank At Monte Carlo" by Michael Butterworth. First produced by Playwrights Horizons, Inc. Licensed exclusively by Music Theatre International (Australasia). Our Cast Chelsea Hyde (she/her) Annabel Glick Chelsea’s recent theatre credits include Lucy Grant (Bright Star - FabNobs), Pickles (The Great American Trailer Park Musical - PEP Productions), and Lucy (Helene Dunlop’s ‘Mrs Bin’ - Cracked Actors Theatre Summer Reading 2022). When not onstage, Chelsea is teaching dance and drama at her local dance school (Aspect Motion School of Dance), and works as a freelance admin assistant supporting creatives and arts associations. Chelsea completed her Bachelor of Music (Music Theatre) at the Australian Institute of Music, and is represented by Ian Nisbet Talent Management. She is forever grateful for the opportunity to contribute to Australia’s rich history of storytelling in this colourful, chaotic tale. Daniel Cook (he/him) Harry Witherspoon Daniel is a passionate creative/actor/singer/dancer/anything else they’ll let him do. Daniel studied Musical Theatre and Dance at Theatre Blacks, and is now out in the real world, stumbling about on wobbly baby giraffe legs. In 2023 Daniel has been exploring contemporary dance and choreography with Lion Heart Dance Company as part of the Company Training Program. Daniel was Assistant Director for ‘Rain Falling On The Abattoir’ and ‘Billy Loves Cha Cha, Forever’ (Cracked Actors Theatre), and a performer in ‘High Fidelity’, ‘Shrek’, ‘Bookends’ (SLAMS), ‘Mary Contrary’ (FabNobs). When not performing, Daniel can be found buying craft supplies for yet another hobby. Daniel is represented by Ian Nisbet Talent Management. Drew Holmes (he/they) Vinnie Di Ruzzio After a short stint in Sydney studying acting, Drew relocated to Newcastle to study with RIPA where they acquired their certificate 4 in Musical theatre and a Diploma of Arts ‘Acting’. They have now relocated to Melbourne to continue their creative career. Drew has been lucky enough to work as an Actor, writer, set designer, Director & teacher. Over their long career in the arts they have performed in many productions, such as ‘Into the Woods’, ‘I am my own wife’, ‘Grease the musical’, ‘The last days of Judas Iscariot’, ‘The Great American Trailer Park Musical’, ‘Bat Boy the musical’, ‘The Book of Everything’, ‘Charlies Aunt’, ‘Mary Poppins’, ‘Company’, ‘Dogfight’, ‘The Addams Family’, ‘Title of Show’, ‘Beauty & the Beast’, ‘She loves me’, ‘Priscilla queen of the desert’, ‘Oliver’ & ‘A gentleman’s guide to love and murder’ just to name a few.Drew co-wrote “Unforgettable”, chosen in the top 10 for the 2015 Sydney Short and Sweet festival for which they won best male Actor & Best Male Newcomer for 2014. Drew has Received CONDA’s for their performance of Amos Heart ‘Chicago’ (SNAP) 2013 & excellence in set & prop design ‘she loves me’ (Opera Hunter) 2021 and a Green Room award of best production for James Terry collective’s ‘Kinky Boots’ 2023 Drew is proudly represented by Ian Nisbet Talent Management Elle Sejean-Allen (she/her) Rita La Porta Elle was most recently seen on stage in Much Ado About Nothing (Melbourne Shakespeare Company), and is thrilled to return to Lucky Stiff for the 2024 season. Elle is in demand as a touring vocalist for headlining artists across the Pop, Jazz, and Classical-Crossover genres, and keeps a full teaching schedule of lessons and workshops across the city and in regional areas working mainly on the lands of the Kulin Nation. Elle proudly continues to work as a mentor for upcoming IBPOC artists for several organisations (including Be You Inc.) A graduate of the Victorian College of the Arts and the Institute of Music, other credits include the role of Mistress Ford in The Merry Wives of Windsor (Melbourne Shakespeare Company), Gwendolen Fairfax (The Importance of Being Earnest), Working! The Musical, and on-screen in Rush (Network 10, S 4) along with a list of TVC's John Ninis (he/him) Anthony Hendon John has always loved committing to the bit, so he knew when he first saw Lucky Stiff staged last year that he wanted to be involved if the opportunity came up. Well, it did! Besides being a corpse for fun, John is a secondary theatre studies teacher by day, as well as an avid performer in Melbourne’s amateur theatre circle, recently playing as Poland and Norway in Eurobeat (PEP), Stevens in Dogfight (Theatrical) and Billy Cane in Fab Nobs’ production of Bright Star. John is thrilled to be contributing to such a hectic show, ironically, by doing mostly nothing! Kristina Lang (she/her) Spinster, Miss Thorsby, Southern Lady, Nun, Texan Kristina is an emerging artist, passionate about storytelling through a range of different art forms. Kristina has completed a Bachelor of Music in Classical Voice from the Western Australian Academy of Performing Arts and a Diploma in Music Theatre from Associated Studios Australia. Kristina has experience performing in operas, musicals, concerts, weddings, funerals and singing in professional choirs. Since moving to Melbourne from Perth in 2021, Kristina has played Belle in a production of Beauty and the Beast, performed with Victorian Opera in Il Mago di Oz (The Wizard of Oz), written and performed an original cabaret All Growed Up and most recently, was in Williamstown Musical Theatre Company’s The Boy from Oz as Valerie/Ensemble. She has also performed with Broadway Unplugged as a soloist and backing vocalist. She currently sings at St Patrick’s Cathedral in Melbourne and with the Australian Chamber Choir. She is also passionate about teaching singing and conducting choirs. Kristina is very excited to be performing with Be You Productions as lots of different quirky characters! Liliana Braumberger (she/her) Vicious Punk, Nurse, Waiter, Croupier, Leper, Bellhop Liliana is an actor and photographer based in Naarm/Melbourne. She made her musical debut as Elinor in 2022's Sense and Sensibility: The Musical and has since performed as an artist in residence in Be You's program for developing new Australian works, Be New. Liliana has musical training in voice, oboe and piano and trained at the VCA Actors Studio. Other roles include the singing Princess Alexandra of Bavaria The Regina Monologues, another stint at the MC Showroom demonstrating her improv skills among musical chaos in Hear Me Out and a successful musical theatre fundraiser Extremely Loud and Incredibly Queer for LGBTIQA+ support organisation Switchboard earlier this year. Further credits include a variety of stints behind the camera and backstage, including video artist on Bruce Beresford’s opera Othello. Nathan Fernandez (he/they) Luigi Gaudi Nathan is a Naarm (Melbourne) based creative who moved from Ngambri (Canberra) to study a Diploma of Musical Theatre, and an Advanced Diploma of Dance at APO Arts Academy/DanceWorld and completed their studies in 2015. Their most recent stage credits include a swing for Lockstock and Cladwell, as well as learning an ensemble track during the run, in Urinetown (Soundworks), Kevin in In The Heights (OCPAC) and Stanford/Ensemble in Bright Star (Pursued By Bear) Prior to that, their theatre credits include Mark in Altar Boyz (PEP Productions) and a member of the Ensemble in Rent (James Terry Presents.) Nathan is also a director, most recently directing Death Pretzel at the Butterfly Club in 2023, for “Play In A Day” for Antipodes Theatre Company’s Festival of the Unseen (2023) and Scary Goats Tour at the Butterfly Club for MICF (2021) Nathan is most passionate about telling stories, supporting new and innovative ways of presenting theatre and delivering stories with honesty and integrity. Nathan is also a director, most recently directing Death Pretzel at the Butterfly Club in 2023, for “Play In A Day” for Antipodes Theatre Company’s Festival of the Unseen (2023) and Scary Goats Tour at the Butterfly Club for MICF (2021) Nathan is most passionate about telling stories, supporting new and innovative ways of presenting theatre and delivering stories with honesty and integrity. Rayhan Amadeus Maskun (he/him) Lorry Driver, Solicitor, Mr Loomis, Waiter, Bellhop, Emcee Rayhan graduated from The Australian Institute of Music with a Bachelor of Music (Musical Theatre). Born and raised in Indonesia, he moved to Melbourne to pursue a career in the performing arts industry. Since then, he has performed in numerous shows, a highlight being Miss Saigon (Osmad), Maybe This Time (Be You Group), Broken Records (five by five theatre), and I Need You to See Me which was written and produced by Vidya Makan. In his spare time, Rayhan also writes a variety of shows that he hopes to put on someday. Rayhan dedicates his performance to his family in Indonesia, and to every person who hasn’t felt seen. Ruby Stewart (she/they) Landlady, Secretary, Southern Lady, Maid Ruby graduated from Jason Coleman’s Ministry of Dance with a Diploma in Musical Theatre in 2021. They are currently performing as a Resident Artist with Broadway Unplugged (Be You Group) and are soon to be seen as Betty in SEARCHING FOR BETTY by Keyanna Burgher in this upcoming Melbourne Fringe Festival. Ruby has starred in many other original works such as Marigold in ON THE RISE by Julian Smith-Gard and Oscar Jenkin in Melbourne Fringe Festival 2022, and more recently performed as Peggy/Maree in Be New’s presentation of 18/23 by Hamish Pickering. Lucky Stiff will be Ruby’s first official Musical performance. Zoë Harlen (she/they) Dominique du Monaco When Zoë saw the musical Cats at age 8, she knew she wanted to be a performer - or a cat. Failing the second option, Zoë studied a Bachelor of Musical Theatre at the Queensland Conservatorium, graduating 2017, and has since played everything from Lady Macbeth to a French cabaret chair. She's performed Australia-wide and internationally with multiple theatre companies, including Shake & Stir, Jally Entertainment, Brisbane Immersive Ensemble, and the musical improvisation troupe Impromptunes, most recently at the Melbourne International Comedy Festival. Our Team Enya Cai (she/her) Producer & Chief Bold Offerer Enya Cai is a Producer and Consultant who works across the Arts and Corporate sectors. In the creative world, she leads social inclusion arts projects as the Conductor of Operations for Creativity Australia, produces independent theatre and founded Bold Offer Productions, and teaches choirs for young people. Across Corporate clients she provides specialised advice on Diversity, Equity and Inclusion, and facilitates leadership training. Enya has worked in Government and Corporates across social policy areas, including at the Victorian Multicultural Commission, Commission for Gender Equality in the Public Sector, and EY (Ernst & Young). Enya holds a Bachelor of Commerce from the University of Melbourne and a Graduate Diploma of Chartered Accounting. Enya was the Producer for Be You Productions' Lucky Stiff in 2023, and the Production Manager and Stage Manager for flatpack’s production of Dry Land in 2024 at Theatre Works. Enya believes art is a vehicle for social change, and is thrilled to be working with this weird and wonderful bunch again for Lucky Stiff! Bradley Dylan (he/they) Director Bradley, the visionary founder and CEO of Be You, brings a rich tapestry of experience to the performing arts and leadership sectors. With a career spanning over two decades, Bradley has forged a unique path that intersects the realms of artistic creativity and leadership development. Bradley applies a unique, systemic approach to theatre that integrates applied psychological insights with a deep understanding of social systems to bring audiences a nuanced yet entertaining show. His directorial prowess, demonstrated in acclaimed productions such as "Urinetown", "Curtains", and "The Wedding Singer", reflects a deep commitment to exploring complex social themes through the lens of musical theatre comedies. Bradley's holistic perspective is evident in his dedication to creating inclusive, supportive spaces that champion diversity and accessibility. Through his leadership, Bradley seeks to dismantle barriers to artistic expression, ensuring the theatre becomes a conduit for social change and personal development. His work embodies a passionate belief in the power of the arts to inspire, challenge, and unite us, making a lasting impact on the world of theatre and beyond. Daniele Buatti (he/him) Music Director Daniele Buatti, a highly skilled Music Director, Arranger, Orchestrator, Pianist, and Voice Coach in Melbourne, brings a holistic coaching approach to singers. Serving as the Musical and Creative Director of Broadway Unplugged since 2013, he leads a skilled band, crafts captivating arrangements, and delivers exciting concerts six times a year. Daniele's expertise extends to institutions like VCA, AIM, Ministry of Dance, and VCASS, where he serves as Music Director, Répétiteur, Accompanist, Vocal Coach, and Music Theory teacher. With an extensive musical background, Daniele has directed notable productions, including The Musical of Musicals: The Musical (Be You Productions), A Chorus Line (Federation University), A Little Night Music (Watch This), Bring It On (Stage Masters), and The Beautiful Game (Manilla Street Productions). Jackson Passlow (they/he) Stage Manager Jackson Passlow is a stage manager and student at The Victorian College of The Arts with past experience in theatres with shows such as La Cage Aux Folles (2023) and Constellations (2023). They bring a mix of technical and theoretical skills to their practice and can't wait to expand their knowledge with this production of Lucky Stiff. Katie Williams (they/them) Lighting Designer Katie is an early career technical arts professional. They have experience in a variety of roles; recently having stage managed/operated for FRITZ (La Mama Courthouse), designed lighting for Witch, Please! (The Butterfly Club) and worked as the Technical Stage Manager for Oh Sheila and Object-Shun/SERMON (DanceHouse). They also provide technician services for Kingston Arts Centre. Lachlan Jones (he/him) Sound Engineer Lachlan is relatively new to the theatre scene and is making a stellar impact with his proficiency in all things sound. Lachlan is currently studying at VCA completing Bachelor of Fine Arts (Production) and is specialising in Set and Sound design. He’s looking forward to pursuing his passion and further his career in theatre and is thrilled to be a part of the team of Lucky Stiff! Credits Producer : Enya Cai Director : Bradley Dylan Music Director : Daniele Buatti Stage Manager : Jackson Passlow Choreography : Nathan Fernandez, Chelsea Hyde, Ruby Stewart Annabel Covers : Zoë Harlen & Ruby Stewart Rita Cov ers : Zoë Harlen & Liliana Braumberger Vinnie Cover : Rayhan Maskun ​ Lighting Design : Katie Williams Sound Design : Bradley Dylan Sound Operation : Lachlan Jones Set Design : Bradley Dylan Backstage Crew : Jackson Passlow, Enya Cai, Bradley Dylan Front of House : Brendan Jelley, El Daly, Ana Swadling, Enya Cai Marketing Direction and Creative Design : Liliana Braumberger Marketing and Social Media Team : Liliana Braumberger Kristina Lang, Chelsea Hyde, Daniele Buatti, Enya Cai Graphic Design : Liliana Braumberger & Daniele Buatti Photography : Liliana Braumberger & Daniele Buatti Animation : Liliana Braumberger ​ Special thanks to Skin of Our Teeth Productions for the use of their wheelchair. About Be You Productions Lucky Stiff is the fourth show by Be You Productions , the 'main stage' arm of Be You Group . Be You Productions seeks to shake up the industry by embodying a 'people first' mantra in all we do. We volunteer our time to create these shows, and our actors and associates are engaged under our Ethical Profit Share model. We keep expenses low, which means cheaper tickets and more take-home money for our actors and associates. ​ We believe theatre should be people focussed as, without people, there would be no live theatre. We believe many minds make for a better product. We believe money does not equal better, rather personal attachment to your work creates a better product. ​ We hope you can feel the love on our stage. The love for the work, for theatre, and for each other.

The Be New Program 2023 Tickets are now available for our showcase! 11:30am 29 July 2023 Get Tickets Our Shows Ace of Hearts by Natasha Pearson and Hayden Dun An empowering musical that sheds light on the journey of coming to terms with asexuality in modern Australia. With its powerful storytelling and heartfelt melodies, this show aims to foster understanding, acceptance, and inclusivity within our society. Be prepared to be swept away by an emotional rollercoaster that will challenge perspectives and leave a lasting impact. ​ 18/23 by Hamish Pickering An evocative journey that delves into the lives of three generations grappling with the complexities of adulthood. With heartfelt performances and a poignant narrative, this musical explores the universal themes of love, self-discovery, and the beautiful messiness of growing up. Prepare to be moved, inspired, and reminded of the power of human connections. ​ Performers in Residence A new feature of this year's program, we're looking for passionate performers who love new works to be part of our facilitation team. Our performers in residence will be equal voices in the workshop, and will provide unique performance-based insights throughout the program. Our performers in residence will undertake all the reading and singing of the shows required each week, and provide feedback on the characters, plot, vocal ranges, ease of understanding and a multitude of other factors to help to guide the shows as they develop. Our performers in residence will also be performing the new works at the showcase at the end of the workshop. ​ HOW IT WORKS Every week is allocated to one writer and their show. In this session, we deep dive into whatever material has been selected and explore its structure, adhearance to theatrical conventions and how it fits within the structure of the show as a whole. Each writer will have a team of performers in residence who learn and provide feedback on their specific show. The focus weeks will alternate, allowing writers and performers in residence enough time to process feedback, make changes or write new material before the next session. Everyone attends every week, even if it's not 'your week'. It's incredibly valuable to contribute to the work of others if you are a writer or performer yourself, and thinking critically about musical theatre structure and composition benefits your own understanding of your work. A final showcase will allow you to share the product of your hard work with family and friends, as well providing you with footage for use as part of a promotional showreel for the writers and performers. THE TEAM Harry Tibballs : An analyst at heart and a literal doctor during business hours, Harry brings a critical eye to the structure and thematic flow of musical theatre writing. A performer and champion baker, he supports a balanced and measured approach to writing. ​ Laura de Iongh : A performer, director, and choreographer, Laura's area of interest is in creating meaningful characters that connect with audiences. A psychology graduate, she incorporates her knowledge of human behaviour into her approach. ​ Daniele Buatti : A composer, music director, vocal coach, and kinesiologist, Daniele brings a holistic approach to music and storytelling. A teacher and mentor in every sense of the word, he brings a depth and breadth of knowledge to the program. ​ Our team is supported operationally by Mikaela Innes, Jenny Le, Lily Jones, and Bradley Dylan. ​ Everyone involved is a volunteer . WHERE? Performing at The Southbank Theatre in The Lawler

School Audition Grants Applications for 2023 are now closed. Bookmark this page as we run these grants every year. ​ If you're a young person who wants to audition for performing arts universities , you're expected to pay a fee to audition. Fees have inflated to $80 to $90 per school - so if you want to apply to study at just two of these universities you will be expected to pay at least $160 for the opportunity. These fees are not covered by a HECS- or FEE-HELP loan, and are non-refundable. There are so many young people who aren’t able to easily pay this fee. We don’t want this to be a barrier to enter the music theatre industry (especially when these courses are covered by loans available for these Commonwealth supported places ) We believe these fees are a large barrier to entry for people who are disadvantaged, and we want to help. We’re giving out grants to people who find it hard to audition for performing arts schools due to the expensive audition application fees. ​ What are the details? We’re giving grants for those who have encountered barriers and/or have struggled to access our industry due to experiencing disadvantage. In line with our philosophy of diversity, access, and inclusion, we will be awarding these grants to people who are disadvantaged, prioritising those who identify as indigenous, black, and people of colour (IBPOC). ​ How do I apply? To apply please fill out the form below. In the application form there's a space provided for you to share links / attach clips of you performing. The application process is a chance for us to hear your story, learn about you and why you’d like to be considered and to see your passion for performance, so don’t hold back! How will we make the decision? Our panel will look at your answers to our questions and decide on our grant recipients by assessing: The efforts taken by the individual to get to this point The difficulties the individual may have faced The individuals level of passion for the craft The foundational skillset of the performer The impact the grant would have for the individual ​ Our decision making will be strictly in line with our Conflict of Interest policy in which, if a panel member has worked with an applicant in a meaningful way, or has a personal connection that makes the panel member biased, this panel member will declare their conflict and not be allowed to offer any advice on the selection of that applicant. Be You Productions Incorporated's School Audition Grant Conditions Applications will be accepted until 10 September 2023 Grants provided by Be You Grants Fund Trust Definitions: Grantee: The person who will receive the grant Application: Your audition application for a school, and the subsequent invoice for payment. Completion Date: Your scheduled audition date. ​ Conditions: The Grantee must use the whole of the grant exclusively for the application as described in the application for the grant and not for any other purpose. Be You Group Incorporated will only issue the grant to the Grantee. The grant will be provided up to the cost incurred as per the invoice. If the Application is not completed and received by the end date specified on the application (“the Completion Date”) without an extension of the Completion Date approved in writing by Be You Group Incorporated, the Grant may be revoked. No part of the Grant may be used after the Completion Date without approval in writing from Be You Group Incorporated. The Grantee must promptly advise Be You Group Incorporated of any changes which may affect the Grantee’s ability to undertake or complete the Application within the specified period. The Grantee will use the grant only within Australia and, where specified in the application, within that particular State or Territory. The Grantee must provide Be You Group Incorporated with an official receipt from the school applied to within 10 business days from receiving the grant. These Grant Conditions are subject to variations, deletions and additional conditions, deemed appropriate by Be You Productions Incorporated, before or at the time of payment. By accepting payment of the grant, the Grantee acknowledges that such variations, deletions and additional conditions may apply. NOTE: Failure to meet the Grant Conditions will be taken into consideration if future applications are submitted to Be You Group Incorporated.